Going very, very well. The degree to which the actors were proficient with their
lines — meaning all the words and in the right order — has made the editing process easy. Also, after giving it some thought, I decided to go with music, and ended up scoring much of the show with Bach’s Brandenburg Concertos, the appropriateness of which will be evident about four lines into the show. The music proves to underscore and highlight the play; had that not proved to be the case, I would have let it be. I had to go outside the Brandenburg Concertos once or twice, to fit moments which required a very specific mood, but Bach came through for us.